Von Meier Student, Artist Judy Fiskin


According to Wikipedia, Judy Fiskin (born April 1, 1945 in Chicago, is an American artist working in photography and video, and a member of the art school faculty at California Institute of the Arts. Her videos have been screened in the Documentary Fortnight series at the Museum of Modern Art in New York, at the Los Angeles County Museum of Art, the Hammer Museum in Los Angeles, and at the J. Paul Getty Museum in Los Angeles; her photographs have been shown at MOCA, the Museum of Contemporary Art in Los Angeles, at the Getty Museum in Los Angeles, at The New Museum in New York City, and at the Pompidou Center in Paris.

And her photography career began under the watchful eye of Professor Kurt von Meier. In a November 15, 1992 article in the Los Angeles Times, Fiskin told the tale:

“Fiskin, a native of West L.A., received her bachelor's degree in art history from Pomona College and after a brief stint in medieval art at UC Berkeley finished her master's degree in 20th-Century art history at UCLA in 1969. The defining moment of her study there took place in a class taught by Kurt von Meier. Art dealer Fred Hoffman, art critic Merle Schipper and CalArts Provost Beverly O'Neill were in the same class. Von Meier's unconventional approach included taking students to the airport, where they would watch planes take off, or telling them to buy inexpensive TVs to throw off the end of the Santa Monica Pier.

"In order to get us to think about how conventional symbols were used in popular culture," Fiskin recalls, "he assigned us each a symbol--mine was the heart--and had us get cameras. This is after six or seven years of art history and all this input of looking at images. I held the camera up to my face for the first time and thought, 'This is for me!' I think all that art history was that I really wanted to be an artist and didn't know how. The minute I held up that camera, I realized I could."

Fiskin was soon photographing views of San Bernardino, military architecture, stucco and dingbats. It was a time when the aesthetics and theories of Minimalism held sway.”

Here’s a link to the full Los Angeles Times article